I am referring, of course, to the chapter about two thirds into the film which arrives with the title “Autumn Years”. These are images that have never been seen before and will never be seen again. This is a film that – for better and for worse – supplied you what now might be referred to in common parlance as “cursed images” – those diabolical visual concoctions that are indexed in the mind in a shady section protected by lock and key.
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